Below, Mr. Byrne in his home with a ship in a bottle that once belonged to his grandfather. Byrne grew up in this home and ultimately raised his family here until it was ravaged by Hurricane Katrina.
June 18 - 26, 2012 The AiM Photo/Film Travel and Study Program brings college photographers and filmmakers to New Orleans each year after a seven week course in story idea building, and deeply researching a topic of their choice. Projects are screened/shown in a public venue in the Twin Cities a few months after each trip.
Tuesday, September 30, 2008
9.30.08
Amanda with Mr. Chuck Byrne in the Lakeview neighborhood of New Orleans.
Mr. Byrne has been living in his 200 square foot FEMA trailer on the front lawn of his childhood home for 2 years while he works through the red tape of reconstruction. He opened his home to us and shared his moving story -- it was a truly humbling morning. You can read more about Mr. Byrne's story on Amanda's blog.
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Below, Mr. Byrne in his home with a ship in a bottle that once belonged to his grandfather. Byrne grew up in this home and ultimately raised his family here until it was ravaged by Hurricane Katrina.
In addition to meeting Mr. Byrne, we also had the opportunity to sit down with Miss Gibbs. The students met Miss Gibbs last time they were here during some work with Rebuilding New Orleans Together. Miss Gibbs sat down with us today in her newly remodeled home and shared stories about her collection of photographs that is currently finding its way to the walls. The photographs, salvaged from her home post-Katrina, were on the wall just above the water lines and were the only things, along with the china, that she salvaged.
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Below: Keith Cich at work on a panoramic shot in the home of Mr. Chuck Byrne.
Below, Mr. Byrne in his home with a ship in a bottle that once belonged to his grandfather. Byrne grew up in this home and ultimately raised his family here until it was ravaged by Hurricane Katrina.
"If I was gittin' up at 6am to shoot, I'd be fixin' to bring back meat..."
"Brad Pitt is a Modernist." is what I heard out of the mouth of a young architect being bombarded by questions by a couple of students as I approached. I can only pon
'THE GREATEST TO EVER PLAY THE GAME'
After this, we departed for Lake Ponchartrain to hang out with some fishermen and photograph, before returning to the hotel for a quick lunch at Mother's, and the short walk to the Ogden Museum of Southern Art. There we previewed a few of the pictures about to be hung for this Saturday's opening of the Sally Mann exhibition (which we will attend), as well some Lisa Silvestri work, and a number of gems from the permanent collection. Perhaps the best treat was seeing a fairly rare early-eighties portfolio of thirty images by William Eggleston. Here are the students being shown this magnificent work:
Monday, September 29, 2008
Animal Farm
9.29 AM Shooting
Sunday, September 28, 2008
Team Swamp
We started off the day at 6:15am in the breakfast room. Unfortunately, and I believe this is Amanda's fault, the night person had taken home the key to the kitchen. Hence we were relegated to a selection of Cheerios, Fruit Loops, and Raisin Bran, milk, and a machine offering selections of a fluid in various forms alleging to be "coffee". It was not. Amanda gave the front desk lady a hard time about the cookies not being in the bin when we had our late night planning session last night. I think the woman took the key home in spite...smiling while jamming to the beat of something loud, and throwing her head back laughing to think of us craving make-your-own-waffles, but finding no purchase. We left the hotel at 6:45am to set out for Lafitte, LA to drop Anthony off to crab hunt. Lafitte was hit hard by the storm surge of Gustav and saw 3+ feet of water in areas. The checkout clerk at the Piggly Wiggly had three feet (of water). I said I was sorry, and she shrugged. Many people here have only just bought new things, scraped the molded sheet rock out, become settled again, and now they are again, in ruin.
Darryl, Anthony's boat ride, was really terrific. He brought us around his property and showed us his boats and pictures of the gators he's tacked over the years. I asked him if it scared him when he had shoot a particularly big gator four times, and he responded, "Not anymore. It used to." He said his eight year old daughter is the most fearless of alligators in the family. I'm not sure is that's good or not. Here's Anthony's recap:
Wednesday, September 24, 2008
NOLAstock!
Hey guys! Our stock photo site is up for our non-profits. Becky is going to walk you through and set up your accounts Thursday night. Please bring names and contact info (email; phone; names) to class to get started! We will be uploading throughout the trip! Here's a preview of the site...
CLICK HERE
CLICK HERE
Sunday, September 21, 2008
One more assignment
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Sunday, September 14, 2008
Books!
So I'd like you to get to thinking about the books...it may help you to start to frame your story....here is a blog about how to do a full-bleed double-page spread on Blurb. Blurb is the one I used for my piece. There are other vendors, like Lulu. Shop around. Google online publishing and tell us what you find too!
Friday, September 5, 2008
Check out Oxford American
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The Oxford American has a great all-New Orleans issue out--I just ordered a copy--here's the link--there may be things in there for some of you--it's only $6. A couple of articles are available free online...this one on Haley Barbour and this one on artist Willie Birch. One of the featured artists, Jen Shaw, will be coming to hang out with us one of the evenings we are there. Click here for details on ordering.
Tuesday, September 2, 2008
Balancing Compassion With Privacy
As you sort through recent images from Gustav and consider the images with which we are most familiar from Katrina, please read the following story from Poynter Online:
Readers and journalists discuss the value of graphic images in newspapers.
"The Poynter Institute is a school dedicated to teaching and inspiring journalists and media leaders. It promotes excellence and integrity in the practice of craft and in the practical leadership of successful businesses. It stands for a journalism that informs citizens and enlightens public discourse. It carries forward Nelson Poynter's belief in the value of independent journalism in the public interest."
Readers and journalists discuss the value of graphic images in newspapers.
"The Poynter Institute is a school dedicated to teaching and inspiring journalists and media leaders. It promotes excellence and integrity in the practice of craft and in the practical leadership of successful businesses. It stands for a journalism that informs citizens and enlightens public discourse. It carries forward Nelson Poynter's belief in the value of independent journalism in the public interest."
Lessons from Gustav
Well, I know we all were, to varying degrees, glued to CNN this weekend. I was in San Francisco, and flew into MSP International Airport last night. I had a gate agent check, and NWA flights are set to resume on Wednesday to New Orleans. I expect the city to be back in full-swing by the time we arrive in 27 days!
Tomorrow, business people and small business owners will be allowed back in to get ready to open, and by the weekend, the city will be populated again. I'd like everyone to surf the web for images from the weekend's events, to discuss the power of images in times of disaster, and what makes an image that resonates over time, as opposed to a simple document. So many of you discussed this fine line with relation to the Shelby Lee Adams, I think it bears examining in class on Thursday. Please drop jpegs into the folder I've created on the Photo Drive "NOLA PIX". TItle them with your last name. You may be meetng some of these photographers in a few weeks! Remeber, we are visiting the Times Picayune!
-CM
Tomorrow, business people and small business owners will be allowed back in to get ready to open, and by the weekend, the city will be populated again. I'd like everyone to surf the web for images from the weekend's events, to discuss the power of images in times of disaster, and what makes an image that resonates over time, as opposed to a simple document. So many of you discussed this fine line with relation to the Shelby Lee Adams, I think it bears examining in class on Thursday. Please drop jpegs into the folder I've created on the Photo Drive "NOLA PIX". TItle them with your last name. You may be meetng some of these photographers in a few weeks! Remeber, we are visiting the Times Picayune!
-CM
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